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Genie was my political activist feminist girlfriend. She had been instrumental through political demonstrations in forcing Montefiore Hospital in the Bronx to establish a woman’s health center and to provide free first term abortions, pre-op and post-op counseling, and ensure there was a woman present at every operation. She had had a bad experience with an abortion at a legal clinic with a “pig scum hack butcher” and it had made her mad.

She was also an extremely difficult person. She came to study martial arts with me so she could defend herself against cops at political demonstrations. We became lovers after she made green belt. She was an excellent martial artist. She had an excellent defensive sidekick. She once knocked one of my Cuban black belts on his ass when he took her for granted while sparring her. She then complained of a bad knee and bowed out after seeing the expression in his eyes as he calmly got up and straightened his uniform. She was very intelligent.

We were together for seven years. She was argumentative to the extreme. She would start a fight at the drop of a hat. She was bisexual. This was not a bad thing as she would bring another woman into bed with us at the first opportunity.

She was gorgeous, perverse, funny, charming and as I mentioned, brilliant. She was the most difficult woman I have ever lived with. We were together seven years. What made it possible for us to be together for that long was the fact that she lived in the Bronx and I lived in Patterson, New Jersey. I ran a Tae Kwon Do school there and she administered the Bronx Community Abortion Center. We saw each other weekends, by Sunday I was ready to break up, by Friday I had calmed down. We might still be together if not for a movie.

We had decided to spend the weekend at her place, have dinner, and go to the Waverly Theater’s midnight show of “Night of the Living Dead”. Genie had never seen it. We were standing in line for tickets when a couple of young girls started squealing about how scared they were to go to the movie. Genie stepped out of line and walked the twenty feet up to where they were and in her authoritative voice started lecturing on how foolish they were to be acting so silly. She told them they were acting out a stereotypical view of woman, that they owed their sisters more, and that they should shut up, it was just a movie.

I don’t remember what part of the movie it was, probably when the living dead start eating their first victims, that Genie let out a strangled cry and said, “I can’t watch this.” We were sitting down in front and she leapt out of her seat and scampered up the aisle with her head down to the jeers and applause of the New Yorkers who had heard her lecture to the young girls. I had to then get up and follow her out, listening to more smart remarks from the audience, to where she was waiting. But that was not the movie.

This time it was Polanski’s “Repulsion”. Black and white heavy ‘60’s stuff. A young pretty woman is sitting on a low stool giving a woman a manicure while she is getting a facial. The girl takes the tool she is doing the woman’s cuticles with and jams it up under one of the woman’s nails. She gets fired. Because she doesn’t have any money now she can’t pay her rent, so the landlord comes to talk to her about it. He’s a scummy guy. I forget why or whether she killed it but she’s been carrying around in her little purse a dead squirrel or hamster for a couple of days. She also has a straight edge razor. She pleads with the scummy landlord to give her more time but he’s having none of it, he wants his rent. The whole time of course he’s giving her the eye, looking her up and down.

Two guys in the back of the theater start yelling “Fuck her!” The camera shows the girl with her purse behind her back with the squirrel in it. She’s opening it up and taking out the razor. The landlord is telling her to put out or get out. She slashes him across the face. Blood everywhere, she keeps slashing, Genie stands up. As usual we’re down front. Genie turns to face the audience.
“All you men sitting there,” her finger slowly sweeps the audience as she speaks, “I want you to pay to attention to what’s happening,” pointing back at the screen. More slashing. Finally the slashing stops but Genie doesn’t. People start yelling at her to sit down. She ends her speech with “Remember, today’s pig is tomorrow’s bacon,” a threat usually reserved for policemen and not up to her usual off the cuff oratorical skills. When we leave the theatre lots of people point and stare at her. But that’s not the movie.

My school had the discipline of a Special Forces boot camp. It had to be, the kids were all inner city kids. No discipline. It was like a street gang when I took it over. In the end the kids took great pride in the impression they made at tournaments and at their quick response to commands. The trophies started lining up. The school had a great impact on the lives of many of the kids. The school made Genie an even better martial artist. When I stopped teaching at a New York dance studio, where she had started with me, she started studying under Master Chang, our headmaster, but would take part in Saturday sparring session with my students on her weekend visits to Patterson. Because the school was so rigid I decided I wanted to offer a softer style at the school.

When I lived in Manhattan I had studied Aikido at the New York Aikido Ai Ki Kai for two years. I liked the art. The only question I had was whether the Tae Kwon Dow students would respect the art. Free style sparring was not part of Aikido. It took years of training and concentration before you could expect to apply it in a physical confrontation. I thought I would go into New York and talk to Sensei Yamada about sending an Aikido teacher to my school in Patterson, at least once a week. I already had the mat space and was interested in resuming my training. I’d make a day of it and bring my friend Louie along who needed cheering up. Louie had said something really rude to his wife just because she had kept talking to him while he was making an important business call and unfortunately she had a frying pan in her hand. She had been a barrel racer in Texas rodeos, a tough girl, and she hit him right in the face with the flat side of the frying pan. And you can imagine how bad he looked.
Sitting in Sensei Yamada’s office I explained what I wanted and my need for a strong teacher. Sensei looked at Louie’s face, grunted, and said Billy Bromer.
That isn’t his real name. Billy has a large and powerful Aikido school on the west coast, and is a sixth degree black belt. I don’t want to make him mad.

As we went down the stairs of the Dojo I said to Louie “I think your face got me a strong teacher.” On the following Saturday Billy Bromer walked through the door of my school. He was not what I expected. Nineteen years old, medium build and height, pale blue eyes and a head of curly blonde hair.

A few of my students had volunteered to take a class with him. Billy warmed every one up and then asked one of the students to throw a punch at him. The student delivered a formal punch, medium-strong. Billy stepped out if its reach and said, “No, I mean a real punch, hit me.” The student shrugged and tried to knock Billy’s head off. As the student picked himself off the mat I knew I had the right teacher. Billy had been taking class three times a day since he was 12 years old and had already trained in Japan. He was phenomenal. He was also very nice.

Genie and I took Billy’s Aikido class and Billy took my Tae Kwon Dow class a couple times a week. Saturday nights we would light the dojo with candles and the three of us would work out together. They were silent workouts, no talking, no hard falls. When you were thrown you had to roll out of the throw with as little noise as possible. No breakfalls, the usual method, were permitted. At the end of the work out two of us would give the third, who would lay face down between us, a backrub, taking turns being the one in the middle. Billy’s back was so hard with muscle it was very difficult to give him a satisfactory massage. We would go on picnics together and in the grass train in Aikido. Genie liked to spar with Billy and amazed him once by actually touching his jaw with her very fast round house kick. We also went to the movies together.
I told Billy and Genie that I wanted to take them to my favorite movie, “Camelot” with Richard Harris, which was playing on the West Side. They had never seen it.

I love “Camelot”. Knights of the round table take an oath to protect the poor and the innocent. Gentle rains come only in the night at order of the king. When Lancelot accidentally kills a night in a joust, he drops to his knees and takes the knight in his arms, and wills him to live. Wonderful.

Then things go terribly awry in Camelot. Guinevere is condemned to burn at the stake for sleeping with Lancelot. Arthur is consumed with grief. He stands at his window, gazing down upon Guinevere who is tied to the stake, about to be torched. Suddenly the gates burst open. It is Lancelot to the rescue. Arthur perks up, cheers Lancelot on. Go Lancelot. Lancelot frees Guinevere, sweeps her onto his Stallion and rides off into the night.

In the end Arthur stands on a hill. He is glad that Guinevere is not dead. (She has decided to be a nun.) But now there will be war and Camelot is done for. Contemplating this turn of events, Arthur is interrupted by a young boy. The boy kneels and pleads with Arthur to let him go help in the war against Lancelot, but Arthur tells him he has another job for him.

“Go,” he tells the kneeling boy after knighting him. “Go to the far corners of the earth, and tell everyone you meet, that once there was a Camelot.” I always cry at that part.

So we’re at the part where Arthur has just found out that Guinevere has been doing the old in-out-in-out with Lancelot, when I hear this choking sound, and I look at Genie and her whole body is shaking like she has yellow fever. Billy is ashen and his hands are trembling. Genie lets out a sob that echoes around the theater. Everyone is sad too but this is over the top. Another gut wrenching sob. Billy and I lift Genie out of her seat, half dragging her up the aisle and out into the harsh reality of the New York night.

Genie and I are still friends. I got an email from her a few months ago. To this day she does not believe I didn’t know about her and Billy and that I didn’t take her to that movie on purpose.

Billy of course was too embarrassed to come back to the school. He could have. I didn’t blame him. Genie was irresistibly seductive and Billy had spent half his life in a dojo. He had never ever had a girlfriend. I ran into him a few month’s later in the street and told him as much. I asked him if he had seen Genie, he said no, that she was the devil.

That was the movie.


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